Overview
of the Holocaust Memorial Center Museum
The permanent exhibit of the Holocaust Memorial Center museum serves two purposes. The first is to present an overview history of the Holocaust. The second is to serve as a memorial to the victims. The displays consist primarily of photographs and text, supplemented by artifacts, art works, and short film presentations. The museum display is divided into the segments listed below. Each section introduces or elaborates upon a major theme of the Holocaust or teaching message of the Center.
Introduction:
Visitors to the Holocaust Memorial Center are greeted by the following
quote from Elie Wiesel, "Whoever forgets, becomes the executioners'
accomplice." Two themes are
expressed in this quote. The first
is our obligation to remember the Holocaust and its victims. The second is our duty to use this
memory to oppose the work of the Nazis and their ideological
heirs.
How We Are Today:
Two themes are introduced in this display, as well. The first is to show that Jewish people
(including Holocaust survivors) are part of our community. The second is to show that prejudice
against Jews, as expressed by groups like Neo-Nazis and the Ku Klux Klan, is
still a danger in our world today.
How We Were Then:
This section draws comparisons between the world before the Holocaust and
our own times. Then as now, Jews
were living normal lives. They were
an integral part of the communities in which they lived. They were not different, as human
beings, from anyone else in society.
Nevertheless, they were often targeted for persecution.
The Life Before:
This section elaborates on Jewish life before the Holocaust and reveals
that prejudice against Jews was deeply rooted in the history of Europe. It also introduces the rise of the Nazi
Party in Germany.
Threatening Jews; Stifling Political
Opposition: An important theme emerges from this
presentation of the early years of Nazi rule. The onset and progression of the Nazi
persecution of the Jews was gradual.
It began by utilizing anti-Jewish stereotypes in propaganda. It continued through periodic acts of
social, political, and economic discrimination. It became an organized program of
physical violence with the Kristallnacht pogrom in November of 1938. The gradual nature of the anti-Semitic
program served to obscure the magnitude of the danger.
War - Persecution - Ghetto:
This panel describes how the Nazis used the cover of war to begin the
destruction of the Jewish communities of Germany and occupied Europe. They began by forcing Jews into ghettoes
in Poland and other occupied countries.
Many of these ghettoes were sealed.
They quickly became places of starvation, sickness, and death. Even though they had not acknowledged it
formally, the Nazis had begun their program of mass murder.
Death Camps - Life in the
Camps: These two sections chronicle the fate of
the victims who were sent to concentration or death camps. Most were sent to immediate
execution. Those consigned to slave
labor usually suffered the same ultimate fate. These displays tell the story of the
camps without relying heavily on graphic images of Nazi brutality.
Resistance:
One of the most important lessons about the Holocaust is that the Jews
fought back. Many took up arms
against the Nazis and became "partisans".
Some camp inmates revolted.
Resistance could take other forms, as well. Some smuggled food, formed self-help
agencies, carried on religious and cultural activities, or hid from the
Nazis. These were also forms of
resistance.
Non-Jews resisted the Nazis, too. Some are now known as "Righteous Gentiles" due to their efforts to save Jewish victims. Though they were few in numbers, they proved that it was possible to live up to the highest ideals of humanity, even in the face of extreme danger.
The Final Solution:
This display reiterates the intent of the Nazis to solve what they called
their "Jewish Problem" through mass murder. The panel describes the Einsatzgruppen
(mobile killing units) executions and recognizes the voluntary and premeditated
character of the killings. The
Nazis’ use of propaganda and deceptive, euphemistic language is also
explained.
The Last Journey:
The "Last Journey" panel reveals the fact that hatred of the Jews
constituted the fanatical core of Nazi ideology. The description of the death marches at
the end of the war demonstrates the unwillingness of the perpetrators to release
their victims, even though it would have been in their best interest to do so.
Liberation:
The final section of the museum describes the liberation of the
concentration camps by the allies.
It explores the idea that the German public was forced to accept
responsibility for the crimes which occurred in its midst. It also introduces
the idea that the survivors were only at the beginning of a long struggle to
reclaim their lives, with most seeking new homes outside of Europe (most in
Palestine or the United States).
Witness Histories: Survivor and Liberator
Testimonies: This “state of the art” DVD presentation introduces museum
visitors to local Holocaust survivors and liberators. The program was developed for the
Holocaust Center by Disney I.D.E.A.S. using excerpts of interview videotapes
selected from the Holocaust Memorial Center archives. These interviews constitute a unique and
valuable primary resource for our community. The complete interviews from which these
excerpts are taken may be viewed at the Holocaust Center by special
request.
Artifacts
and Works of Art
Artifacts:
Several display cases of artifacts are on exhibit throughout the museum
to enhance the experience of visitors.
These objects from the past can help visitors gain new insight and
perspective on the people and events of the Holocaust.
Art Works and Memorial
Displays: Six memorial lamps are integrated into
the front wall of the museum. Each
lamp represents one million of the Jewish victims of the Holocaust. They are also visible from the outside
of the building. They are
surrounded on either side by curved walls of Jerusalem stone that draw the
visitors' attention to the display.
Local artist, Wolf Kahn designed the statues on display in front of the
curved wall. They were created to
honor the survivors and the liberators.
He also designed the relief sculpture on the entry doors. The drawings of Luba Gurdus present a
stark portrayal of the camps as remembered by a survivor. The Founders' Wall contains plaques
placed by members of the community in honor of family members and friends who
were victims of the Holocaust.
![]() |
![]() | |
| "Sharing Survivors" by Wolf Kahn |
Holocaust Center Memorial Lamps |